A couple of months ago, I wrote a response to an article in The Economist lamenting the continued devaluation of music in the curriculum in the UK. A couple of weeks ago a similar article was published in The Times by Alice Thomson. I’m not sure what prompted the article but it drew a supportive … Continue reading Make the case for music!
Bach fulfills a huge number of criteria that people use to judge the quality of a composer. He had extraordinary harmonic control, he wrote beautiful melodies, he had great structural control, he wrote wonderfully for voice and idiomatically across all instruments, he was equally adept at both small- and large-scale works, he had a palpable … Continue reading Why was Bach so great?
The Musicians’ Union (MU) in the UK recently released data about pay for orchestral musicians which raised a few news stories and some comment. Most of the comments I saw bemoaned the disparity between skill level and pay, drawing comparisons between doctors and lawyers in particular. A few talked about the need for orchestras to … Continue reading Should we all pay for orchestras?
The simple answer to this question is a huge amount. I might even go so far as to say that use of the piano developed more in the 20th century than in any other period of musical history. The great period of technological development was the late 1700s into the mid 1800s when the invention … Continue reading What did the 20th century contribute to piano music?
On March 1st in The Economist there was an article titled 'Total eclipse of the arts: the quiet decline of music in British schools' which detailed the decrease in uptake for music at both GCSE and A-level. There have been many such articles in recent years and all have bemoaned the drop off in funding … Continue reading A response to The Economist